In terms of durability, the letters won't last long due to some elements of the letters being stuck out at odd angles, however I had them photographed so there is evidence of how they were originally.
Ellis evaluated my set of ten letterforms, I was pleased with the feedback, as it was constructive, on the whole it was positive feedback, she felt it was a creative idea, but wondered how the letterforms would look if they were all in one colour, rather than multi-coloured as if they were all the same it would make them look more uniform. I agreed with this comment, but felt it would lose it's fun feel.
She also felt I could have experimented more with materials, this is entirely true, all I did was construct the letterforms out of coloured card I already had, and there was no consideration into other materials. What may have worked is coloured foam, if I stuck with the polychromatic scheme, as this would be easier to manipulate and wouldn't crease as easy, however, it is not a particularly sturdy material.
I was quite surprised that I had designed a style of type that would only work by handcrafting, as normally I would use a computer to get that absolutely perfect finish, there were a few areas that let the design down due to parts of the card fraying, and some of the foam squares were exposed and so it looked a little untidy at times.
Referring back to the brief, I think the brief was answered, as in the mandatory section it specified that each A6 should contain one letterform but all ten should demonstrate a range of possible solutions, my letters do this, as the letters have been exaggerated in different ways.
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